Gravity’s Rainbow probably also would be an example of this, as it basically (/supposedly?) is the story of de-risking of V2 rockets during WWII, and is written on an insanely-big scale (400 named characters, over way-too-many pages). However, I gave up on reading it after a few-hundred pages, because it is very long, VERY postmodern, and practically requires a string map to follow—so I don’t know if the remaining 75% of the book suddenly shifts gear and portrays the Nazis as the good guys.
I feel like a decent percentage of protagonists in Participant-produced movies/TV shows would fit the bill here.
Gravity’s Rainbow probably also would be an example of this, as it basically (/supposedly?) is the story of de-risking of V2 rockets during WWII, and is written on an insanely-big scale (400 named characters, over way-too-many pages). However, I gave up on reading it after a few-hundred pages, because it is very long, VERY postmodern, and practically requires a string map to follow—so I don’t know if the remaining 75% of the book suddenly shifts gear and portrays the Nazis as the good guys.