Itās not obvious to me how to get order of magnitude estimates on the expected value of these considerations. They seem likely to be true, but Iām uncertain how to weigh against the value of a ātraditionalā EA-aligned career.
(Edited for clarity)
Iām also quite unsure about this, largely because thereās an enormous visibility bias; I can think of a few people within EA who did become world-class at something, but barely anyone who tried and failed. But this is something I hope to collect some anecdata on in the future (and through comments on the post).
One more important factor is the extent to which being a part of the EA community might help your chances of getting to a world-class level in something (through access to mentorship, access to lots of people who can help you stick to your goals and spread word about your work, etc.).
This may not be true often, if at allāhanging out with musicians seems like a much better idea than hanging out with EAs if your goal is to win fame as a musicianābut I can see 80,000 Hours having some interesting general insights if they ever decided to research the general area of ābecoming famousā. (This seems antithetical to most of their current thinking, and would probably not be a good use of their
Hey JP, I donāt mean to sound condescending or policing, but I find this comment to be full of (unnecessary) jargon which would be very hard to read for newcomers. What would help:
Writing out abbreviations (āEVā --> āexpected valueā)
Writing out the reasoning instead of a concept (āthe value of the opportunity costā --> āthe benefits of pursuing a ātraditionalā EA-aligned career)
I think that itās important for EA to have a space where we can communicate efficiently, rather than phrase everything for the benefit of newcomers who might be reading, so I think that this is bad advice.
Itās not obvious to me how to get order of magnitude estimates on the expected value of these considerations. They seem likely to be true, but Iām uncertain how to weigh against the value of a ātraditionalā EA-aligned career. (Edited for clarity)
JP,
Iām also quite unsure about this, largely because thereās an enormous visibility bias; I can think of a few people within EA who did become world-class at something, but barely anyone who tried and failed. But this is something I hope to collect some anecdata on in the future (and through comments on the post).
One more important factor is the extent to which being a part of the EA community might help your chances of getting to a world-class level in something (through access to mentorship, access to lots of people who can help you stick to your goals and spread word about your work, etc.).
This may not be true often, if at allāhanging out with musicians seems like a much better idea than hanging out with EAs if your goal is to win fame as a musicianābut I can see 80,000 Hours having some interesting general insights if they ever decided to research the general area of ābecoming famousā. (This seems antithetical to most of their current thinking, and would probably not be a good use of their
Hey JP, I donāt mean to sound condescending or policing, but I find this comment to be full of (unnecessary) jargon which would be very hard to read for newcomers. What would help:
Writing out abbreviations (āEVā --> āexpected valueā)
Writing out the reasoning instead of a concept (āthe value of the opportunity costā --> āthe benefits of pursuing a ātraditionalā EA-aligned career)
I think that itās important for EA to have a space where we can communicate efficiently, rather than phrase everything for the benefit of newcomers who might be reading, so I think that this is bad advice.
No worries. Iām a newcomer to posting Forum comments, so I expect to need to train my writing. I updated the comment, thanks!