I ran the Forum for three years. Iâm no longer an active moderator.
I write web content for 80,000 Hours. Previously:
2022-2025: I worked in communications at Coefficient Giving.
2019-2021: I worked at CEA, on the Forum and other projects.
2016-18: Alongside non-EA gigs, I did piecemeal ops work for CEA and CFAR.
2014-15: I founded and ran Yaleâs student EA group.
Outside of EA, I play Magic: the Gathering on a semi-professional level and donate most of my winnings to charity (this amounts to ~$60K so far).
Outside of EA, Iâve been a tutor, a freelance writer, a tech support agent, and (very briefly) a music journalist. I blog, and keep a public list of my donations, at aarongertler.com.
Maybe ânaiveâ isnât the right languageâI mean it mostly in the sense of âitâs a bad idea to commit crimes in the service of charityâ rather than âthe expected value was negativeâ.
If Mario cared sufficiently little about being imprisoned, damaging a masterpiece, or generating opposition to famine relief writ large, I could see the theft as a positive-EV move from his perspective. But on the âbenefitâ side of the tradeoff, Iâm skeptical that there was even a remote possibility of the Belgian government putting up ~$17 million to ransom the painting, especially on the deadline he set. (Claude notes that governments have a strong incentive not to set a precedent by making public ransom payments.)
That said, when I did some more reading on the case, I saw this:
So it may have been a surprisingly effective publicity stunt, if the publicâs reactions were really so positive! (Thatâs not something Iâd expect in the modern world.)
But I continue to think itâs generally misguided to steal money so you can give it away,* for reasons including âI wouldnât want someone to steal my money for their own favorite charityâ and âif your cause is known for support from thieves, you should expect people to turn against itâ.
*But if you can steal bread to feed your starving child, why not someone elseâs children? As the guy who played Javert in my high schoolâs production of Les Mis, I canât help thinking about Jean Valjean here. But Iâm not inclined to spend the time Iâd need to work through the relevant arguments and counterarguments.