Iām interested in effective altruism and longtermism broadly. The topics Iām interested in change over time; they include existential risks, climate change, wild animal welfare, alternative proteins, and longtermist global development.
A comment Iāve written about my EA origin story
Pronouns: she/āher
Legal notice: I hereby release under the Creative Commons Attribution 4.0 International license all contributions to the EA Forum (text, images, etc.) to which I hold copyright and related rights, including contributions published before 1 December 2022.
āIt is important to draw wisdom from many different places. If we take it from only one place, it becomes rigid and stale. Understanding others, the other elements, and the other nations will help you become whole.ā āUncle Iroh
This is great!
(Not sure if you already know this, but posting it in case itās helpful to anyone) Not-so-pro tip: your distributor only pays your sound recording royalties; streaming services send the mechanical and/āor performance royalties for the underlying musical composition to a CMO (such as PRS for Music in the UK) which pays you separately.
On Spotify, composition royalties are about 1ā5 of the share of revenue that Spotify pays to the owners of sound recordings, so realistically, itās probably just a few extra cents from streaming alone. But I feel like itās a good practice to claim them anyway. Enrolling a song in a CMO also enables the song to be played at live venues (e.g. if an EAG/āx conference wanted to play the song, theyād license it through the CMO and youād get paid).